Danielle Parfentieff de Noronha holds a PhD in Media, Communication and Culture from Barcelona Autònoma University (UAB), a master's degree in Anthropology from the Federal University of Sergipe (UFS) and a Journalism degree from the Methodist University of São Paulo (UMESP). Currently, she is a post-doctoral fellow in the Graduate Program in Cinema and Audio-visual of the Federal University Fluminense (UFF) and is developing research on women workers collectives in Brazilian cinema with a grant from the Fundação de Amparo à Pesquisa do Estado do Rio de Janeiro – FAPERJ. She was a substitute teacher for the Cinema and Audiovisual course at UFS between 2019 and 2021. She taught free courses such as Feminist Film Criticism and History of Brazilian Cinema, coordinated the extension projects Cine Calçadão (2019-2021) and UFS / Cine Vitória (2020-2021) and integrates the Democracy Observatory of UFS. She is author of scientific articles and co-organizer of the books Juventudes e Desigualdades Sociais em Tempos de Crise e Radicalização Política (2021), Mulheres nas telas e atrás das câmeras (2020), Diálogos com os estudos culturais: representações, identidades e poder (2020) and Juventudes e Movimentos (2018). She is curator, together with Maíra Ezequiel, of the exhibition Elas por Trás das Câmeras. She acts as vice-leader of the Cultural Studies, Identities, and Interethnic Relations Group and as researcher of the Documentary and Frontiers Group and the Geni – Gender and Intersectionality in Communication Group. She conducts research in the areas of Cinema and Audio-visual and Visual Anthropologies, Cinema and Communication, with the themes of alterity and difference, gender, women in cinema, decoloniality, resistance, memory, youth, representation, and power.
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